Fusion 01

Silvia and I are deeply committed to an art quest. We share the decision making for the setup of our shootings. We discuss the place, the light, the costumes, the framing and a minimal script. Our sexuality is authentic within the technical boundaries. It is spontaneous and joyful. Nothing is simulated. We are sex artists and not p*rn stars. The music is copyright free sourced from different origins : Spotify : https://open.spotify.com/playlist/4GjBqUD0NyP09TwY6VeChd?si=a0881ddae09c45fe https://open.spotify.com/playlist/53yOwoff8saU8LCSRR5Q7m?si=4931e70d2a184f18 Adobe premiere : https://www.adobe.com/be_en/products/premiere.html Epidemic sound : https://www.epidemicsound.com/ Mixpad : https://www.nch.com.au/mixpad YouTube : https://youtu.be/UcCsf77JdrU https://www.youtube.com/c/MusicForVideosCreators/videos

We love making love with all kinds of nylon and lingerie and we treat ourselves fully in this video. We spiced it up with an anal plug and kept one GoPro in our hands for the closeup views. It was a bit long to edit: 4 cameras in 4K. Premiere didn't digest easily such files. But we are pleased with the results.

Cheche and I enjoy a very deep communication even if we don't meet as often as we want. She lives in the Philippines and I live in Belgium. This video was recorded during my last visit in the Philippines. We have been a bit reluctant to share it until now but we understand better the social sex revolution now and we are happy to be part of it.

Myriam is a friend of Malika who convinced her to test my sex skills. So here were are fully desinhibited. Enjoying every bit of our erogenous zone. For the curators : The music is copyright free sourced from different origins : Spotify : https://open.spotify.com/playlist/4GjBqUD0NyP09TwY6VeChd?si=a0881ddae09c45fe Adobe premiere : https://www.adobe.com/be_en/products/premiere.html Epidemic sound : https://www.epidemicsound.com/ Mixpad : https://www.nch.com.au/mixpad YouTube : https://youtu.be/UcCsf77JdrUhttps://www.youtube.com/c/MusicForVideosCreators/videos

After enjoying a beautiful lesbian session, Syl and Malika invited me to join them. It was super hot and I had to concentrate to avoid cuming too quickly. They deserved to be both satisfied with a strong erection.

I have always loved masturbation (but who doesn't ?) and my stimulation during these very rewarding moments has always been partly visual. I also fantasises about partners I don’t have or sexual acts I don’t practice often like anal sex. But the main stimulation remains visual. I have been exposed to nude pictures at a very early stage of my sexual life and a kind of fetish/fascination/obsession was borne and never left me. I came to enjoy and practice photography at the very same period of my life and had always a hidden desire of producing by myself the pictures which triggered my sexual excitement. Becoming a sex artist (a pornographer in the literal non-judgmental meaning) became possible for me only at a late stage of my life because I feared social stigmatisation which could have jeopardized my capacity to find employment. I worked in short terms assignments until the age 51. Video recording my wanking session became possible with the emergence of digital cameras. I remember some early shootings back to 2005. Most of my pre MLNP sex videos were meant to create long distance intimacy. It took me a while to accept my own wanking as a positive erotic sight. Despite being completely bisexual, I find male solo a bit boring even if the sight of an erected penis is something I feel exciting. To produce something that I feel visually exciting, I started to mix my present solo shootings with pictures and videos of a sometimes distant past. I find the process very rewarding artistically and sexually. It is a kink I like to explore. I am a nylon fetishist and I dress often with stockings and leggings to get aroused and feel more aesthetic. I am interested to open discussions about it. Either in comments of a specific video or with the editorial team of the newsletter (I take the opportunity to congratulate them). I am aware that I may be diverting the point of view of the initial intention of “real sex life and not performed one” to a more complex exploration of my libido where past and present, memories and sensations, desires and satisfactions mix and produce a deep personal emotional and sexual reward. Thanks to these who read so far. Enjoy the view and don’t hesitate to comment.

French and English languages share one sad features : the word cunt (con in French) is used as insult and a slang word for the female genital. Georges Brassens known enough on the Internet, composed a song which proposes to rehabilitate the word cunt as a very beautiful and lovable part of female anatomy. The song is entitled the “Blazon” Here are the first verses Having always got on well with it, I would have liked celebrate, without acting inappropriately, Tender feminine body, your most beautiful feature1 Which everyone who has seen it says is amazing. It would have been my final song, my swan song, My last love letter, my farewell message. But unfortunately the words which designate it Are claimed by the despicable and the execrable. https://lyricstranslate.com/en/le-blason-blazon.html Babou and I tried to honour that spirit of beautification of the word cunt. Babou dances while I sing acapella. It is not a very artistic performance (at least my song) but it will please these familiar with French language who may not know the song. I hope you enjoy it. Comments are very appreciated

The position of Danielle was made as comfortable as possible to give André and I a wonderful head. Danielle, André and I are deeply committed to an art quest. We share the decision making for the setup of our shootings. We discuss the place, the light, the costumes, the framing and a minimal script. Our sexuality is authentic within the technical boundaries. It is spontaneous and joyful. Nothing is simulated. We are sex artists and not p*rn stars. Sex art statement I contributed more than one hundred videos to MLNP and this production was a life boat in a life where depression couldn't be cured despite hospitalisation and electrochocs. I have been deeply influenced by the photographic magazines my father bought mostly for the technical content as he was a professional photographer. These magazines contained academic nude which I found fascinating as early as 10 years old. I revered many surrealist artists such as Magritte, Dali and Paul Delvaux but I have also large collections of Picasso, Klimt and Van Gogh works (digital of course). I take great pleasure at the excellent pornography of Erika Lust, Petra Joy and Hegre. I also like the feminist pornography shown in Bellesa. Dorcel production are big budgets, but I like luxury setups. The motivation I have while producing videos for MLNP is not basic sexual instinct. It is an artistic intention. I want the viewer to feel different after watching my work. The music is copyright free sourced from different origins : Spotify : https://open.spotify.com/playlist/4GjBqUD0NyP09TwY6VeChd?si=a0881ddae09c45fe https://open.spotify.com/playlist/53yOwoff8saU8LCSRR5Q7m?si=4931e70d2a184f18 Adobe premiere : https://www.adobe.com/be_en/products/premiere.html Epidemic sound : https://www.epidemicsound.com/ Mixpad : https://www.nch.com.au/mixpad YouTube : https://youtu.be/UcCsf77JdrU https://www.youtube.com/c/MusicForVideosCreators/videos

Silvia and I share a very intense exhibitionist-voyeuristic relationship . Recording videos for MLNP is a fire accelerator for our libido and we consume this pleasure as often as possible. The choregraphy of her dance is carefully crafted often with a heated debate among us and the search of appropriate background is a delightful lust. We hope you enjoy and get inspired by our efforts. Comments and suggestions are very welcome. We are NOT p*rn actors, we are sex artists.

This video is experimental on many accounts. I tried a latex outfit for a metime full of support. Later, I mix with the beautiful pictures taken from Miss J. One of my lover and endless source of fantasy despite the distance which separates us. Curators Note: the music is provided in Adobe Premiere Element for free use